THE SOLDIER'S TALE, MARCH 2006 

 

By Igor Stravinsky
new rhymed version by Isaiah Sheffer
 

The Devil: Leonard Nimoy
The Soldier: Richard Thomas

Played by: The Philadelphia Orchestra

In the Soldier's Tale (1918) Stravinsky invented a new style in melody, rhythm and instrumentation like Jazz is, though he did not know Jazz at the time, using march and waltz, Lutheran hymn, Tango a. o., too. Only 7 instruments (clarinet, bassoon, cornet, trombone, violin, double bass and percussion) are used. In the concert the Devil, the Soldier and a Princess do the speaking parts (by Leonard Nimoy, Richard Thomas a. o.).

 

A deserting soldier meets a girl and has to decide whether to swap his violin (= his soul) for a book. The book contains charts of the future economy. In the end the devil possesses the soldier's soul, celebrating his victory in the end while he dances. The soldier's violin becomes a symbol of both the soldier's soul and the Devil's wiles. Though the story is a combination of various cultures and times, the story is based on a Russian folk tale.

 

 

Igor Stravinsky - The Soldier's Tale (L'histoire du soldat)
 
  • The Soldier's March
  • Soldier At The Brook
  • Pastorale
  • The Royal March
  • The Little Concert
  • Three Dances: Tango, Waltz, Ragtime
  • The Devil's Dance
  • Grand Chorale
  • Triumphal March of the Devil