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The Illustrated Man - 1976 | ||||||
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A 46 minute Collins Caedmon audio
The Veldt and
Marionettes 1976
By: Robert
Bradford
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The Illustrated Man is a 1951 book of eighteen science fiction short stories by Ray Bradbury. It is called The Illustrated Man because an “illustrated man” is sitting at a campfire telling a young man all the stories which are behind his tattoos which are spread all over his body: Though he felt unsure about the tattoos, he even tried to avoid them, he could not help it, again and again he agreed that a women applies more and more tattoos on him. He adores the woman he had gone to in order to get one tattoo. Even about this first one his obvious uncertainty is clearly felt from the beginning. After getting a rose tattooed into his palm, she tells him about the lion. That lion will become the second tattoo on his body: The Veldt The parents are visiting the nursery of the children. It has cost them $30.000 to install it into their home. The nursery, a big room, which sings to them, cares for them and entertains the children. Now, the mother gets worried. She feels that he nursery has changed.
George
Headley had said: “Nothing is too good for our children.” The two-dimensional
walls are switched on and they find themselves in the middle of an African
desert. They smell the animals: lions. “It is too real”, George says. “What are
they eating?” his wife wonders. She has heard a scream. Both are always awed by
the miracle of efficiency selling for an absurdly low price. It is the work of
geniuses who created such reality concerning visual and audio effects. They even
smell the grass.
They realize
that the children live for that nursery. Peter, the son, had reacted extremely
after his father had punished him once by locking the nursery for a few hours.
Again they
feel threatened by the nursery as they see the wall shake as if something heavy
had bounced against it. George goes back into the nursery and hears the lions
roar and a scream. Often George had found Alice in Wonderland, Pegasus, red
fireworks, but now, this yellow, hot Africa. Wendy and Peter have spent weeks on
this scene only now. He tells the approaching lions to go away. Nothing happens
though the nursery is designed to adapt to new thoughts. “Let’s have Aladdin and
his lamp”, George says. Nothing happens. The children come back from a party and a helicopter trip. George tells them about their trip in the nursery. “There is no Africa in the nursery”, Peter simply states. “Do you know about any Africa in the nursery?” Peter asks Wendy. She denies. The children leave to check the nursery ignoring their parent’s order to stay. When the parents reach the room, a green forest fills the room. George finds an object in the corner where they lions have been before: An old wallet of his. The small of lions and grass was on it. It had been chewed. He closed the nursery door and locked it tight. At night the parents can’t find sleep. “We have given the children everything they wanted. … They come and go as they like.” Lydia remembers that Peter has turned away from them after he was not allowed to go with a rocket. “They are too young for this”, George repeats as he had explained to the children before. Now they hear the screams again. They hear screams from downstairs and lions roar. “Wendy and Peter are not in their rooms”, said his wife. “No,” he said, “they have broken into the nursery. “Those screams, they sound familiar.”, Lydia says.
“Father”,
said Peter. He never looked at his father any more, nor at his other. “You are
going to lock up the nursery for good, are you?” “We are considering leaving the
house for a month”, George answers. “Don’t consider that any more, father!” “I
won’t have any threats from my son.” “Very well.” David also learns that George had not allowed the children to go to New York and that he had taken out some machinery from the house. “This room is their mother and father”, David explains. “Far more important than their real parents. .. Turn everything off and start anew.”
The lions
approach the two men. “Can they become real?”, George wonders. “Some flow in the
machinery… “, David speculates. “ … no”. Suddenly the children are calling: “Daddy, mommy, come quick!” They run down the hall. Nowhere can they find the children. They hurry to the nursery. The door slammes. It is locked from the outside. Both beat at the door. “Now, don’t be ridiculous, children, it is time to go. Mr. McClain will be here in a minute and ...” and then they hear the sounds. The lions on three sides of them, roaring in their throats. Both scream and suddenly realize why those other screams have sounded familiar. “Well, here I am”, said David McClain in the nursery doorway. He stares at the children having a little picnic lunch in the open desert. Above them: the hot African sun. “Where are your father and mother?” The children look up and smile: “Oh, they’ll be here, directly”. In the distance McClain sees the lions clawing and feeding in silence under the shady trees.
“A cup of
tea?” Wendy asks in the silence.
The
illustrated man finds a picture of a ion on his chest. He does not feel well
about another tattoo, but is persuaded to stay and listens to another story.
Marionettes
Two friends
walk the street. One, Smith, wonders why the other, Braling, comes along for a
drink with him. It hasn’t been possible since he was married. Now, his friend
produces a ticket to Rio out of his pocket. He’s going to go there the next
morning. Smith wonders even more.
Wanting such
a robot for himself, Smith asks for the card and gets it. (ticktick ticktick ticktick …)
...........................
The young
man listens to more. He feels along with each story and sees the pictures evolve
from each tattoo.
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